Of Malay Tamil origin, he has had a multi-decades long career, and is still actively plowing his groove at the age of 85. McVie song, “Warm Ways” lends well to many styles, even what is possibly best described as easy listening. Kamahl – Warm Ways (Fleetwood Mac cover)Īn archetypal C. Bios of the band suggest they too had their fair share of relationship issues, possibly thus the choice of material. Active for ten years from 1998, they had a healthy approach to tackling non-genre material. The Meat Purveyors kick some additional sawdust into this hoedown of a version, the band being an alternative bluegrass band, rather than the death metal suggested by the name. An older song, written in anticipation of the nonexistent followup to Buckingham/Nicks, this was part of the portfolio Buckingham delivered to his new band. On the original, Lindsey Buckingham’s “Monday Morning” leapt out of the traps triumphantly. The Meat Purveyors – Monday Morning (Fleetwood Mac cover)
#Fleetwood mac albums list plus
Plus loads of opportunities for cover artists to meld and morph. The three songwriters, each with their differing styles, plus a (sort of) cover or two, added up to a celebration of summery soft-rock, forever on playlists for sunbaked road trips. I recall being a fairly early adopter, finding Fleetwood Mac still my first choice over the next two releases. A constancy of radio play helped this progress, as well as the singles being alternate or remixed versions of the album tracks, necessitating dual acquisition.
#Fleetwood mac albums list full
This hit paydirt, the record topping the Billboard chart a full year and change after release. A slow burner, with singles initially failing to chart on either side of the Atlantic, the band relocated to L.A., playing anywhere and everywhere to gain some sort of traction. Given it having the same title as their 1968 debut, a different kettle of fish altogether, this often attracted FM ’75 the sobriquet of the White Album, courtesy its iconic cover art. Possibly.įleetwood Mac, the album, was released in July 1975. This piece is to celebrate that brief window, possibly, of relationship harmony, maritally and otherwise. Mind you, the mayhem didn’t stop the follow-up, Rumours, from doing better still, and the various co-sanguinous shenanigans thereafter making Tusk the critics’ favorite. Luckily the rot didn’t really hit until 1975’s eponymous LP had been made and released to no small success. Fleetwood was also divorcing his wife (not a band member). What could go wrong? Well, the relationship of Buckingham and Nicks, as well as that of John and Christine McVie, were both going rapidly south.
Buckingham said yes, but only if his girlfriend could also be recruited.
Mick Fleetwood, drumming mainstay from the start, chances on Lindsey Buckingham, offers him a gig with the band. A blues band down on their luck, reeling from the loss of all their most potent forces, and of several replacements of lesser merit, come close to throwing in the towel.
And, looking back, given the “other” music breaking through in 1975, the so-called year zero of punk rock, how was it that this epitome of smooth found (and still finds) such purchase? Not that this pair, accomplished songwriters both, were the only pull Christine McVie continued to add value with a constant drip feed of classics. Sure, loads of us (myself included) adore the 60’s into 70’s UK white-boy blues band, but c’mon–only a real curmudgeon would deny the greater pulling power of the Buckingham-Nicks Mark 1 years. This is our third Full Album Fleetwood Mac feature, following on from Rumours and Tusk, the other exemplars of this most acclaimed iteration of the ever-evolving band. It seems that we like the Mac over here at Cover Me.
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